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*SUNDANCE #12: HOLY ROLLERS

Inspired by true events (but no more historical than that), Holy Rollers is an extremely unique and fascinating story that follows curled-sideburned, head-bobbing, Talmud-reciting orthodox Hassidic Jews that smuggle Ecstasy into the United States from Europe. If it hadn't been inspired on true events, I would claim that this was unbelievable - but it is founded somewhat in truth, and in my mind, becomes a story worth telling. The director claims that the film is about 'faith versus blind faith,' and I would agree, but also say that it includes topics much more vast and widespread than that. It concerns real life questions about being a 'sheep' (brought up during a discussion between a rabbi and the main character) or being someone that breaks free from the mold. Relating to this film on a somewhat personal level, and being so far removed on another level, this film was intriguing, if only in watching and paying attention to my own reactions to the characters and plot. Jesse Eisenberg plays the main character, in a role that completely shatters the typecast roles he's been shoved into thus far. Justin Bartha plays the supporting role, being the catalyst for Eisenberg's character's downward spiral into a denial and rejection of everything he was taught as a devout Jew. All roles were excellently played and completely believable, evoking sympathy, empathy, disgust, and appreciation in the viewers throughout the course of the film. The cinematography was inspiring and added a whole new element to the film - the first comment of that kind that I've made at Sundance. There were stand alone 'postcard' shots, as well as a general aesthetic that completed the well-made film. Though the film was much different than I had anticipated, I was pleasantly surprised and thoroughly enjoyed Holy Rollers.

In attendance: Director Kevin Asch, Producers Dave Berlin and Danny Abeckaser, writer Antonio Macia, and actor Bern Cohen

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1/26/2010

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Underlining denotes a film seen in theaters, an asterisk (*) denotes an AFI film, an exclamation point (!) denotes repeated viewings of a film.